It all began in Malta, with a concert called “Rossini and Spain”…

Standard

Rossini_piano_SanAnton

The sound disc España alla Rossini began as a cool recital idea that I had:  in 2012 I had the enormous fortune of being invited to sing at the presidential palace of the Republic of Malta, a gracious invitation extended to me by the then president of this country (and the country of my grand parents) His Excellency George Abela and his wife Mrs. Margaret Abela.  It was a dream come true to visit Malta, and more so  to do it under such an auspicious occasion…I wanted very much to do a special program, one with personal meaning that would speak to me and in turn create a special atmosphere at the event.  I began a small investigation of the repertoire for this concert, which united two of my loves: the music of Gioacchino Rossini and the musical culture of Spain.

Rossini_SanAnton_dressReh_annaemilio

Emilio and I rehearsing at the San Anton Palace in Valetta in June of 2012.

My pianist in Spain, Jorge Robaina was not available. I then reached out to a wonderful pianist, a professor of chamber music at the Royal Music Conservatory in Madrid by the name of Emilio González Sanz.  On Facebook and email we put together a program, which we rehearsed for a weeks time in Madrid before flying out to Valletta, the capital of Malta.  We did the program as trial at the Museo del Romanticismo de Madrid  before leaving, under the title “Rossini and Spain” with brief notes:

Maltese-American mezzo soprano ANNA TONNA and Spanish pianist EMILIO SANZ GONZÁLEZ debut their new musical venture: a program of songs and piano solos that narrate Rossini’s fascination with the country of Spain. Rossini’s personal relationships with opera’s most prominent family of the 19th century, The Garcías (Manuel García, Maria Malibran and Pauline Viardot-García), Rossini’s marriage to the Spanish diva Isabella Colbran, as well as his close friendships with the notable Spanish personalities such as the Dukes of Alba planted the seeds for his love of the rhythms and songs of Spain, with his usage of the Tirana, bolero and the Seguidilla in his numerous musical compositions.

Rossini was not unique in his love of all things Spanish: the Grand Tour helped to popularize Spain and increase her mystique among travelers and tourists of the early 19th century. Numerous books such as George Burrough’s The Bible in Spain and Gustav Dore’s engravings, together with the numerous Spanish musicians and dancers such as the Garcias that were performing in Europe’s capitals helped to popularize late 18th century Spanish dance and song known as Escuela Bolera.

Gioachino Rossini en 1820

Enter Gioachino Rossini (1792-1868)

“La regata veneziana”, Nocturne for solo piano Transcription by Franz Liszt

“Facut portem” from the Stabat mater

Isabella Colbran, Rossini’s Spanish muse

“Giusto ciel!” from the opera Maometto II

“Assisa a piè d’un salice” from the opera Otello

“Una voce poco fa” from the opera Il barbiere di Siviglia

Visions of Spain

Granada, Opus 47, No. 1 Isaac Albéniz (1860-1909)

“Canzonetta spagnuola”

“À Grenade” from the album Melodies françaises

“Bolero”

Rossini_SanAnton_AnnaEmilio_Formal

Among the public was the ambassador of Spain, the newly appointed American Ambassador as well as numerous persons from the Maltese cultural life. I also had the pleasure of meeting for the first time family members that I continue to this day to be in touch with, as well as having the immense honor of the president hosting a family dinner at the presidential palace in mine and Emilio’s honor.

The concert was pronounced a success by several reviewers and most importantly by the listeners.

Review from the Malta Times of “Rossini and Spain”

 After the concert, we received flowers, a book and small commemorative plaque that I keep to this day on my piano. How surprised my humble grandparents would be if they had only known that so many years later this all would come to pass…

I wanted to further honor Malta in this recital, and as an encore Emilio and I performed a cantilena aria by the Maltese early 19th century composer Nicoló Isouard from his opera Paul et Virginie.

Rossini_SanAnton_FirstLady

Emilio and I receiving gifts and congratulations from First Lady Mrs. Margaret Abela at the St. Anton Palace in June of 2012.

I knew I wanted to make sound disc one day of this project. Upon meeting Ruben L. Someso, the managing director of The Recording Consort, I embarked on the adventure of a new and more in depth investigation of a sound disc that I would eventually call España alla Rossini

Rossini_piano_SanAnton

 To contribute to the making of España alla Rossini, please check out my video and platform on Hatchfund:

http://www.hatchfund.org/project/espa_a_alla_rossini

//

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s